By Iris Wiener
When Adam Pascal pulls into Long Island these days, it’s not just a commute; it’s a homecoming layered with memory, coincidence, and creative possibility. This spring, the Tony-nominated performer-turned-director from Syosset is channeling all of that into “Feels Like the First Time: The Foreigner Musical.”
The new production premieres April 17 at the Little Theatre on Long Island University’s Brookville campus.
The project, created in collaboration with the legendary rock band Foreigner, marks the launch of LIU’s New Works Initiative and Pascal’s tenure as the university’s inaugural Artist-in-Residence. But for Pascal, the journey to this moment is anything but typical.
The path to directing the show began not in a rehearsal room, but at a backyard barbecue.
“Tom Dunn [Tilles Center’s creative producer, executive/artistic Director and Dean of LIU’s College of Arts and Design] lives across the street from my sister. I first met Tom and his wife at a barbecue,” Pascal relates.
“Tom said, ‘We’re doing this thing. Do you want to direct it?’”
From there, the pieces quickly began to align. A previous version of the musical had been developed, but Pascal and the team — including book writer Stephen Garvey and arranger David Abbinanti — set out to reshape it into something fresh: a high-energy, heart-driven story set in the 1980s, centered on three families whose lives collide when a rock star arrives for a backyard concert after an MTV contest win.
“We wanted to create something that was fun and that had heart, that understood its purpose using Foreigner’s music,” Pascal says.
That purpose, however, comes with a unique creative challenge. The musical weaves iconic songs into an original narrative — a process Pascal describes as both complex and deeply collaborative.
“You’re creating a story, and in many ways building a scene backwards,” he explains.
“You have these lyrics that were never written to be narrative in that way, so you have to do a lot of reverse engineering.”
Still, that creative freedom is part of the appeal.
“We get to reimagine these songs,” he adds. “They’ve now become narrative storytelling songs.”
The new musical features a company of 26 performers, primarily LIU students — a fact Pascal calls fortuitous.
“The combination of this process, this particular show, and this university … it couldn’t have been a better melding of all things.”
For Pascal, working with students isn’t just about mentorship — it’s personal, as he has two sons the same age as the young cast. His directing style reflects that perspective, blending instinct, experience and a focus on emotional authenticity.
“I approach it from a much more naturalistic and real place. I’m trying to orchestrate a picture and to get them to use their emotions in a physical way.”
That lived-in approach comes from decades in the industry, which includes roles in Broadway’s “Aida,” “Memphis” and “Something Rotten,” besides the iconic“Rent.” However, Pascal quickly points out that he was never formally trained.
“My approach can only be [described as] a layman approach. I’m fortunate enough to now have 30 years of experience making musicals.”
And yet, for all his Broadway credentials, Pascal is candid about the challenges facing the industry today — particularly the financial barriers that make developing new work increasingly difficult in New York City.
“We all have to change the mindset about working in New York,” he says bluntly, pointing to rising production costs and systemic issues. Instead, he sees projects like “Feels Like the First Time” as part of a larger shift — one that prioritizes creativity, collaboration and accessibility over tradition and expense.
“I want to take the power out of Broadway’s hands and put it back into the hands of people who make theater,” he states.
That philosophy is evident in the show’s development process, which Pascal praises for its efficiency and clarity of vision.
For LIU students like Anna Frost, being part of that process is nothing short of transformative. A senior serving as dramaturg for the show, Frost is deeply embedded in the rehearsal rooms, helping to shape the evolving script.
“It is so exciting for me to work on a show which is in development,” she says. “I get to work with a living, breathing text.”
For her, the experience underscores the importance of new work in today’s theatrical landscape.
“There has to be new art that is relevant to what is happening now,” she adds. “Getting to be a part of something that will be history is really cool.”
Pascal agrees and hopes the students recognize the significance of their involvement.
“They’ll forever be connected to this show as the first people that played these characters,” he says. “If the show becomes a hit, they’ll always have that on their resume.”
That sense of legacy resonates deeply with Pascal himself, particularly given his return to Long Island. He remains deeply connected to his roots, and optimistic about its potential as a hub for theatrical innovation.
“There’s no better place for it,” he says of LIU. “They have the facilities, the desire and the proximity to the city.”
As for what’s next, Pascal continues to develop new musicals through his production company, including an adaptation of “Ruthless People.” He’s also set to direct “Our Little Secret: A True New Musical” in Toronto. For now, “Feels Like the First Time” offers something that feels incredibly meaningful — -a chance to build, collaborate, and rediscover the spark that started it all.
Or, as Pascal might put it, to make it feel like the first time all over again.
