Thursday, October 1, 2026
Amy Goodman, an intrepid journalist and a Long Island native, explained after a recent screening of a documentary about her that she is “committed to independent media being the oxygen to a democratic society.”
The documentary “Steal This Story, Please!” had its premier at the DC/DOX film festival in Washington, D.C., in June, and has been shown at other film festivals, at which it has also received awards. And now she was “here on Long Island!” she exclaimed after the documentary was featured last month as the opening-night presentation of the Hamptons Doc Fest.
Being on Long Island was “really a thrill,” Goodman said following the showing at Bay Street Theater in Sag Harbor. She is a 1975 Bay Shore High School graduate, and after graduating from Harvard with an anthropology degree, she went to work at WBAI, the listener-sponsored radio station in New York City, part of the Pacifica network. It was there that Goodman co-founded and became — and still is — host and executive producer of “Democracy Now!” It began as a radio program, and subsequently expanded to television, too.
Goodman has not only been a journalist on radio and TV, but has authored or co-authored books including “Standing Up to the Madness,” “The Exception to the Rulers,” “The Silenced Majority” and “Democracy Now! Twenty Years Covering the Movements Changing America,” published in 2017. As the website for it then related: “In 1996 Amy Goodman began hosting a show on Pacifica Radio called Democracy Now! to focus on the issues and movements that are too often ignored by the corporate media. Today Democracy Now! is the largest public media collaboration in the U.S., broadcasting on over 1,400 public television and radio stations around the world, with millions accessing it online at democracynow.org.”
A documentary is different than a book. I’ve authored books and also written and presented documentaries, and as a journalism professor at SUNY Old Westbury, I taught for years a course called “Documentary: Theories and Techniques.” As John Grierson, the Scottish filmmaker credited with coining the term “documentary” in 1926, explained, a documentary focuses on an “actuality” — capturing and showcasing the real-life issues of real people, with the “original” people involved, and “original” scenes, conveying a truer picture of reality, he felt, than actors and a set could provide.
That’s what the documentary about Goodman does. It starts with her trying to question Wells Griffith, the representative of the first Trump administration at a 2018 United Nations climate conference in Poland. She asks Griffith about President Trump’s claim that climate change is a hoax. Griffith scrambles away up a series of stairways, with Goodman keeping up, and charges her with “harassment.”
“A reporter asking you a question,” Goodman responds, “is not harassment.”
The documentary then shifts to Goodman’s reporting on the 1991 killing of more than 200 independence protesters in East Timor by Indonesian troops, and shows her and fellow journalist Allan Nairn badly beaten. It includes her arrest, with other journalists, in a police sweep of an anti-war demonstration at the 2008 Republican National Convention in St. Paul, Minn.
It presents scenes of Goodman covering Native Americans in Standing Rock, N.D., in 2017, protesting the Dakota Access Pipeline, which brought with it the threat of oil spills that could contaminate the Missouri River and the Standing Rock Sioux Reservation’s water supply, as Goodman faced arrest.
These are just some of the elements of “Steal This Story, Please!” The archival footage illuminates. The directing, by Carl Deal and Tia Lessin, is superb. The words of Goodman running through it are eloquent.
Here’s the description of the documentary in the Hamptons Doc Fest program: “Undeterred by armed soldiers, smooth-talking politicians and riot police, journalist Amy Goodman has reported some of the most consequential stories of our time. ‘Steal This Story, Please!’ is a gripping portrait of Amy, the trailblazer whose unwavering commitment to truth-telling spans three decades of turbulent history. The film is both a call to action and a celebration of resistance, posing the question: What happens to democracy when the press surrenders to power?”
In kicking off the 18th year of the Hamptons Doc Fest with the documentary about Goodman, Jacqui Lofaro, the festival’s founder and executive director, spoke of “journalism’s vital role in revealing truth.”
Karl Grossman has been an investigative reporter in a variety of media for more than 50 years. He is a professor of journalism at the State University of New York at Old Westbury.
