Rockwell showed us what we have to be thankful for

In this season of gratitude, it’s appropriate to recall the “four freedoms” — freedom of speech, freedom of worship, freedom from fear and freedom from want — articulated by President Franklin D. Roosevelt at the threshold of World War II and illustrated so memorably in Norman Rockwell’s iconic works of art.
Eleven months before the attack on Pearl Harbor, with Europe under siege and Congress leery of getting involved in the war, Roosevelt sought to remind the American people that the freedoms we sometimes take for granted must be nurtured and guarded. In his State of the Union address on Jan. 6, 1941, Roosevelt proposed four essential, bedrock freedoms that people “everywhere in the world” have a right to enjoy.
The first two freedoms he cited — speech and religion — are of course enshrined in the First Amendment. The other two — freedom from want and from fear — aren’t found in the Constitution. Rather, they relate to Roosevelt’s Depression-era commitment to economic security (freedom from want) and his efforts to establish the United Nations (freedom from fear).
It fell to Rockwell to translate those abstract concepts into four scenes of everyday American life that would capture the minds and hearts of his countrymen (as well as their investments in war bonds), a task he initially thought was beyond his capabilities. History has proven him quite wrong, and those four images are among the most famous of perhaps the most famous illustrator in American history.
“Freedom of Speech” depicts a blue-collar man, wearing a plaid shirt and suede jacket, standing in the crowd at a government meeting to voice his opinion. The others in the painting are well dressed, wearing ties and jackets, but they listen respectfully as this workingman speaks his mind.

“Freedom of Worship,” under the title “each according to the dictates of his own conscience,” shows eight people of different faiths in a moment of prayer. One of them, his head covered and holding a religious book, is Jewish. A young woman with rosary beads represents Catholics. An older woman, praying devoutly, embodies Protestantism. It’s a tribute to religious diversity.
“Freedom from Want” is a Thanksgiving scene in which an aproned matriarch presents a turkey to her family, three generations breaking bread together at their dining room table. The illustration represents traditional American family values: togetherness, harmony, peace and abundance.
And “Freedom from Fear” shows children nestled safely in their bed, oblivious to the carnage occurring across the ocean. Their mother tucks them in, and their father holds a newspaper with a headline announcing the Nazi blitz of London, where the scene would be much different and where the lives of everyone, including innocent children, were in jeopardy.
Rockwell’s illustrations, which appeared in four consecutive issues of the Saturday Evening Post, were accompanied by essays by four of the top writers of the era. Booth Tarkington, dubbed the “dean of popular American letters,” authored a piece on freedom of speech. Essayist Will Durant handled freedom of worship. Philippine immigrant Carlos Bulosan wrote about freedom from want. And novelist Stephen Vincent Benét covered freedom from fear (and, ironically, died the day it appeared in print). All are worth revisiting from a historic as well as a modern viewpoint. But it was Rockwell’s pictures, more than the essays and perhaps more than FDR’s speech, that remain such a poignant part of Americana.
At Thanksgiving, it’s worthwhile to re-examine the four illustrations and ponder their meaning and message, at a time when the nation seems so terribly divided over — let’s be frank — fleeting issues that often don’t amount to a hill of beans. It often seems that half of our country is perpetually mad at the other half. Are we really that different? Are our differences really irreconcilable?
I don’t think so. Actually, I think we’re much more alike than different, and I believe that as a society, we share core values that matter infinitely more than ephemeral political squabbles. Those values, captured by Rockwell, are what bind us as a nation.
Let’s count our blessings, send our prayers to the suffering people of the Middle East and Ukraine, take a deep breath and maybe revisit Rockwell’s Four Freedoms — permanently on display at the Norman Rockwell Museum in Stockbridge, Massachusetts, an easy and scenic day trip from Long Island. And let’s ponder what those 80-year-old illustrations say not only about us as Americans, but also about us as human beings.

A. Gail Prudenti is a partner in the law firm Burner Prudenti.