By Abbey Salvemini
Long Island Children’s Museum sets sail on a bold new chapter with “Saltwater Stories: We Need the Sea and the Sea Needs Me,” its first new permanent exhibition in over a decade. The 1,900-square-foot immersive installation, which officially opened last week, invites families to explore Long Island’s rich nautical heritage, celebrating the people, traditions and cultures that have long relied on the sea.
Our coastal identity comes to life through storytelling, interactive play and local traditions. Kids (and grown-ups!) can climb into a full-size bay house, sort the day’s catch in a bustling fish market, explore the wonders under the sea and even hop inside a 500-pound hand-carved canoe. That canoe — a mishoon (Indigenous dugout canoe) commissioned by the museum — was created through the collaboration of Shinnecock Cultural Steward Chenae Bullock, her mentor Darius Coombs of the Mashpee Wampanoag tribe and apprentice Shane Weeks of the Shinnecock Nation. Welcomed by the museum in June, it now takes up residence within “Saltwater Stories.”
A culmination of more than 15 years of museum programming and partnerships with local fishermen, Indigenous communities and historians, it anchors Long Island’s past to its future with creativity and care. The concept first took shape several years ago, sparked by the museum’s long-running partnerships with tradition bearers and a desire to give families a more personal connection to the natural world around them.
Museum President Erika Floreska describes the exhibit as “authentic, playful and beautiful.”
Director of Exhibits Margo Malter traces its roots back to weekend programs begun in 2009, when local baymen and fishermen shared firsthand stories about life on the water. Over the years, those early conversations grew into a deeper exploration of Long Island’s maritime culture. The turning point came in 2019, when the museum received a grant from the Institute of Museum and Library Services. That funding allowed the team to assemble a cohort of community advisors — fisherfolk, Indigenous leaders, historians, and educators — whose voices helped shape Saltwater’s foundation.
“We like to say the exhibit is informed by community, for the community,” Floreska adds.
From the stories of generations of baymen to the bustling fish markets of the Nautical Mile, the exhibit’s components are rooted in the everyday lives of Long Islanders past and present. It also highlights the connections between the traditions of immigrant communities who share seaside cultures, offering opportunities for shared experiences and dialogue.
Visitors are welcomed by a nine-foot high immersive, stylized wave tunnel. Visible from the three entries to the museum’s second floor, this wow-moment hooks you into the gallery and recreates that first introduction to the sea for many of us — a day at the beach. Lighting and sound effects give a transportive transition into “Saltwater Stories.”
Among the exhibit’s many features, young visitors can role-play life on the bay in a walk-in replica of a bay house, where a “magic window” lets them observe real-time changes in weather, tides and marsh life. Nearby, in a classic Long Island fish market, you can sort, weigh and sell the day’s catch — mimicking the work of generations who lived off the sea. Also everyone will enjoy “Lifting the Ocean’s Lid,” an early learner area where kids can get a close-up look at what lives under the sea.
For Floreska, Saltwater’s heart lies in its ability to tell a local story while providing a playful, hands-on space that’s deeply connected to the real world — something she describes as both unique and meaningful.
“It gives visitors of all ages a chance to connect with a cultural richness that defines Long Island,” she says.
Integrating new technology felt like a natural next step in the evolution of the museum’s approach to storytelling, according to Malter. She highlights the bay house installation as a standout example, where digital features are used to make the environment feel dynamic and real.
To create the immersive “magic window,” the team hired a videographer to capture time-lapse footage of a local marsh over the course of several days, including scenes at night and during a storm. With the push of a button, kids can change the view outside the window — transforming from day to night or calm to stormy — making the experience both magical and grounded in the real world.
“Observing the natural world was a big educational goal for me,” Malter explains.
By blending real footage with playful interaction, young visitors notice environmental details they might otherwise overlook — fostering a sense of wonder and curiosity rooted in the rhythms of local life.
The phrase “we need the sea and the sea needs me” serves as the exhibit’s guiding inspiration.
Even the quintessential Long Island Islander — Billy Joel — has a place here. Everyone can watch a video of his “The Downeaster ‘Alexa’,” commercial fishing’s unofficial anthem.
To help families turn inspiration into action, a resource guide on the museum website provides ideas for local, family-friendly activities that extend the learning into the home. Floreska points to community programs like Freeport-based “Operation Splash,” where families can participate in cleaning up local shorelines.
As a permanent fixture now, “Saltwater Stories” continues the museum’s commitment to ignite curiosity, encourage stewardship and strengthen our bond with the environment — reminding us all that the sea’s story is deeply intertwined with our own.
